Papyrus Large Formats - Isis and Nefertari
Product number:
2401
Natural papyrus with outline motif - natural border - approx. 32 × 42 cm
This is how history can be "grasped"! A real experience and guaranteed unforgettable.
Ideal for thematic school and art lessons.
The goddess Isis, who is very well known throughout Egypt, is always described as the patroness, guardian and protector of all beings who are suffering or in great distress.
For painting
12 double-fibre pencil - Article No. 2701
Pilot Pintor - White, Gold, Silver Article No. 2703
Set of 14 tempera colours - Article No. 2712
Brush set 6 pieces - Article No. 2713
Mixing palette - Article No. 2714
PGI Papyrus
made of hand-laid papyrus, produced in Egypt
silkscreen motif, natural border
can be painted with fibre-tip pens and watercolours
| Aspiration scale: | Medium |
|---|---|
| Time Line: | 2,0 Hours |
Product information "Papyrus Large Formats - Isis and Nefertari"
Isis and Nefertari
The goddess Isis, who is very well known throughout Egypt, is always described as the patroness, guardian and caretaker of all beings who are suffering or in great distress. For this reason, she was considered a motherly goddess, a goddess of recovery, protection and magic. According to the famous Osiris myth, Isis was also worshipped as a deity of the dead and as a supporter in the afterlife. The Egyptians were very worried that they would lose their human abilities, such as seeing, speaking, hearing and thinking, when they entered the Otherworld. Isis was supposed to ward off all demons responsible for the loss of human abilities.
God Chepre was usually depicted as a scarab, more rarely as a human with a scarab for a head. His name means "the one who came into being by himself", just as the Egyptians also believed that the sun came into being again by itself from the earth every morning. The connection to the scarab is that it lays its eggs in a dung ball and it seems that its young, like the primordial god himself, come into being without an act of procreation. The beetle pushes the dung ball in front of it like a ball, just as in depictions the scarab pushes the sun disc over the horizon in the morning. Chepre is also associated with resurrection symbolism. Moreover, he is only one of the three figures of Re. Harachte embodies the midday sun and Aton the evening sun.
Nefertari was already married to her husband "Ramses II" before he ascended the throne, and the two already had several children together. In the burial chamber of the high priest Nebwenenef, Nefertari is depicted behind her husband in the so-called "appearance window" of the palace. In the following period, the queen repeatedly appears in scenes behind her husband, which is to be understood as an expression of her high position. Nefertari is mentioned for the last time in the 24th year of Ramses II's reign, at the dedication of the two temples of Abu Simbel, for which the ruling couple travelled specially to Nubia.
God Chepre was usually depicted as a scarab, more rarely as a human with a scarab for a head. His name means "the one who came into being by himself", just as the Egyptians also believed that the sun came into being again by itself from the earth every morning. The connection to the scarab is that it lays its eggs in a dung ball and it seems that its young, like the primordial god himself, come into being without an act of procreation. The beetle pushes the dung ball in front of it like a ball, just as in depictions the scarab pushes the sun disc over the horizon in the morning. Chepre is also associated with resurrection symbolism. Moreover, he is only one of the three figures of Re. Harachte embodies the midday sun and Aton the evening sun.
Nefertari was already married to her husband "Ramses II" before he ascended the throne, and the two already had several children together. In the burial chamber of the high priest Nebwenenef, Nefertari is depicted behind her husband in the so-called "appearance window" of the palace. In the following period, the queen repeatedly appears in scenes behind her husband, which is to be understood as an expression of her high position. Nefertari is mentioned for the last time in the 24th year of Ramses II's reign, at the dedication of the two temples of Abu Simbel, for which the ruling couple travelled specially to Nubia.
Instructions for painting papyrus